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A drone view shows a courtyard at the Museo Regionale di Messina, where four artworks by 15th-century painter Antonello da Messina were stolen overnight, in Messina, Sicily, Italy, August 16, 2026. REUTERS/Danilo Arnone
A drone view shows a courtyard at the Museo Regionale di Messina, where four artworks by 15th-century painter Antonello da Messina were stolen overnight, in Messina, Sicily, Italy, August 16, 2026. REUTERS/Danilo Arnone
The five surviving panels of Antonello da Messina's 1473 "Polittico di San Gregorio" (San Gregorio Polyptych), three of which were stolen from the Museo Regionale Accascina in Messina, Italy, in this undated handout photo obtained by Reuters in August 16, 2026. Courtesy of Museo Regionale Accascina Messina/Handout via REUTERS ATTENTION EDITORS - THIS IMAGE HAS BEEN SUPPLIED BY A THIRD PARTY. MANDATORY CREDIT. NO RESALES. NO ARCHIVES.
The five surviving panels of Antonello da Messina's 1473 "Polittico di San Gregorio" (San Gregorio Polyptych), three of which were stolen from the Museo Regionale Accascina in Messina, Italy, in this undated handout photo obtained by Reuters in August 16, 2026. Courtesy of Museo Regionale Accascina Messina/Handout via REUTERS ATTENTION EDITORS - THIS IMAGE HAS BEEN SUPPLIED BY A THIRD PARTY. MANDATORY CREDIT. NO RESALES. NO ARCHIVES.
"Christ in Pieta", the reverse side of a double-sided devotional panel by 15th-century Renaissance painter Antonello da Messina, which was stolen from the Museo Regionale Accascina in Messina, Italy, in this undated handout photo obtained by Reuters in August 16, 2026. Courtesy of Museo Regionale Accascina Messina/Handout via REUTERS
"Christ in Pieta", the reverse side of a double-sided devotional panel by 15th-century Renaissance painter Antonello da Messina, which was stolen from the Museo Regionale Accascina in Messina, Italy, in this undated handout photo obtained by Reuters in August 16, 2026. Courtesy of Museo Regionale Accascina Messina/Handout via REUTERS
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Mafia link feared in Sicilian grand master theft

August 17th, 2026 | 16:19 PM LIFE Lifestyle 3

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By Crispian Balmer

The theft of four paintings by Renaissance master Antonello da Messina may have involved organised crime and ​raised troubling questions about security at a museum in the Sicilian artist's hometown, a local official said on ‌Monday.

Enzo Caruso, Messina's councillor for culture, said it was difficult to understand how thieves could have removed the works in a matter of minutes without detailed knowledge of the museum's layout.

"It's a very, very strange affair," Caruso told Reuters.

The theft on Saturday has shocked Italy and revived memories ​of the infamous 1969 disappearance of a masterpiece by Caravaggio from a Palermo church -- a case long associated with ​Sicily's Cosa Nostra mafia and never solved.

TOO FAMOUS TO SELL

Caruso said the stolen Antonello works were ⁠so famous that selling them even on the black market would be virtually impossible, raising the possibility that they could ​be used as bargaining chips or collateral in criminal dealings.

"The Mafia? It's possible they might try to blackmail the state itself in ​order to return them. These are the kinds of dynamics that ordinary people never get to see," he said.

He said another possibility was that the paintings could be used as guarantees or currency within the criminal underworld.

The thieves entered Messina's Accascina Regional Museum on Saturday evening, while the ​city was celebrating a religious festival that brought thousands into the streets.

The burglary only came to light some two hours later ​when tourists found two Antonello paintings, apparently discarded by the thieves, leaning against the museum railings.

Renato Schifani, the president of Sicily, issued a ‌statement to ⁠say the museum's video surveillance system and alarm had been working normally, adding that an internal investigation was underway to see if any museum staff had been involved.

LOST PAINTINGS FOUND IN THE PAST

Caruso questioned how well prepared the thieves had been, pointing to the fact that two paintings had been left in the street. "Perhaps they did not anticipate how heavy they would be. These ​are wooden panels ... stealing them ​is not as easy as ⁠stealing a canvas that can be cut from its frame," he said.

He also said a professional art thief would normally take greater care handling works worth tens of millions of euros, ​saying no attempt had been made to protect the paintings.

Italy's crack squad of art police ​are heading to ⁠Messina to take on the case, just three days after helping to retrieve paintings by Pierre-Auguste Renoir, Henri Matisse and Paul Cezanne stolen earlier this year from a museum near Parma.

While the Rome-based art theft police have established a strong track record in finding missing masterpieces, ⁠Sicily is ​still haunted by the memory of the missing Caravaggio.

"I have the feeling ​the thieves may be keeping the (Antonellos) hidden while things calm down," Caruso said. "Or perhaps they immediately took the sea route," he added, noting that the museum ​lies close to the Strait of Messina.

"The hope is that sooner or later they reappear."

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  • ART/THEFT (TV, PIX)
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